Lois Lane, Reporter by Kate Beaton
Oh, Kate Beaton! Perfect as always!
(Source: popgoesthereader, via themightygeebie)
Found Objects is where Nicolas Papaconstantinou puts all the cool stuff he finds on the net for safe-keeping.
Nixsight is where he puts all the stuff that he wrote himself.
Elephant Words is the awesome writing site that he created and curates, and that other people write amazing stuff at.
It is on Tumblr here!
The MOMBcast is the silly weekly comic podcast that he makes with his friends!
And you can show them fun comic stuff for them to talk about on Tumblr here.
To ask him a question or otherwise tell him shit, go here!
All communications welcome!
Lois Lane, Reporter by Kate Beaton
Oh, Kate Beaton! Perfect as always!
(Source: popgoesthereader, via themightygeebie)

“I have no idea whether this project will be any good or not. But it sits as a shining example of the fundamental flaw that exists in the comic industry, especially within DC Comics. They spend most of their time chasing the readers that grew up with their iconic characters rather than attempting to attract new readers who are growing up right now.”
Totally agree with this - though I think DC52, being a company-wide initiative, was more indicative of it, and I said as much at the time.
However, that backward looking trait in comics isn’t unique to publishers. Comic readers - many of whom are also comic retailers, which is a bigger issue - run wild with entitlement on either side of any comic-related debate, and stand ready to jump on anything that they perceive as a deviation or affront to comic texts or characters that they feel shouldn’t be touched. It all adds to the stupidly binary way any comic-related issue is handled.
The huge amount of brilliant work that goes un-discussed, unsupported and unbought in-between those two dominant cultures is the only genuine ongoing tragedy in comics today, I reckon. The rest is just semantics and negotiation of contracts.
(Source: hugonebula)
Wonder Woman by Jeremy Roberts (based on Francis Manapul)
(via godiseven)
Who made this? It is perfect!
(Source: mortalsiamdreaming, via godiseven)
DC announce NEW 52! debuting late November:
A spokesperson for the publisher said “Honestly, we figured we’d have to roll back the recent reboot come Easter 2012 due to fan reaction, but we sold so much product this time out, we’ve decided we’re going to reboot the whole line to avoid the fourth issue slump. Depending on how it goes this time, we’re considering making this a regular thing.”This also landed in JamesMOMB’s inbox. Not sure what the source was - can anyone verify?
I know that the DC52 ended up selling pretty well, but I’m not sure that fans are going to follow them through this. It seems pretty cynical to me.
OH MAN!
@1 year ago with 8 notes | Comments“I have no idea whether this project will be any good or not. But it sits as a shining example of the fundamental flaw that exists in the comic industry, especially within DC Comics. They spend most of their time chasing the readers that grew up with their iconic characters rather than attempting to attract new readers who are growing up right now.”
Totally agree with this - though I think DC52, being a company-wide initiative, was more indicative of it, and I said as much at the time.
However, that backward looking trait in comics isn’t unique to publishers. Comic readers - many of whom are also comic retailers, which is a bigger issue - run wild with entitlement on either side of any comic-related debate, and stand ready to jump on anything that they perceive as a deviation or affront to comic texts or characters that they feel shouldn’t be touched. It all adds to the stupidly binary way any comic-related issue is handled.
The huge amount of brilliant work that goes un-discussed, unsupported and unbought in-between those two dominant cultures is the only genuine ongoing tragedy in comics today, I reckon. The rest is just semantics and negotiation of contracts.
(Source: hugonebula)
DC announce NEW 52! debuting late November:
A spokesperson for the publisher said “Honestly, we figured we’d have to roll back the recent reboot come Easter 2012 due to fan reaction, but we sold so much product this time out, we’ve decided we’re going to reboot the whole line to avoid the fourth issue slump. Depending on how it goes this time, we’re considering making this a regular thing.”This also landed in JamesMOMB’s inbox. Not sure what the source was - can anyone verify?
I know that the DC52 ended up selling pretty well, but I’m not sure that fans are going to follow them through this. It seems pretty cynical to me.
OH MAN!